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英语读后感(共5篇)

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本文目录英语读后感九年级暑假读后感英语作文:《理智与情感》英语读后感《红与黑》英语读后感名著读后感英语作文英语读后感1500字

【导读:作品简介】《谁动了我的奶酪?》(who moved my cheese?),生动的阐述了“变是唯一的不变”这一生活真谛,作者斯宾塞·约翰逊博士是美国知名的思想先锋和畅销书作家,此外,他还是一位医生、心理问题专家,也是将深刻问题简单化的高手。在他清晰洞彻当代大众心理后,便在该书中制造了一面社会普遍需要的镜子———怎样处理和面对信息时代的变化和危机。

英语读后感(共5篇)

《谁动了我的奶酪》英语读后感400字

今天我读完了美国著名作家斯宾塞.约翰逊写的《谁动了我的奶酪》一书,真是受益匪浅! 《谁动了我的奶酪》讲的是两个小矮人和两只小老鼠的故事。文章主要围绕“奶酪”的获得、拥有、失去,不同的人产生的不同心态,由此产生迥异的行动策略。是像嗅嗅和匆匆,迅速开始行动?还是像哼哼那样害怕变化,否认和拒绝变化?还是像唧唧那样看到变化会使事情变得更好,并能够及时地调整自己去适应变化?其实,对于任何一个人来说,生活和学习中有太多的变化,变化无时无处不在发生,无论我们是否害怕变革的到来。如果我们能够尽快调整自己适应变化,我们完全可以做得更好。当我们面对变化时,我们会害怕,会感到无所适从,这很正常。只要我们能够认真科学的对待畏惧,它甚至可以帮助我们避开真正的危险。我们无须拒绝变化,我们完全可以改变对变化的态度,在变化中享受变化,拥抱变化,迎接变化。 从另一方面来说,“奶酪”是一种通过艰辛努力而获得的优越状态。“奶酪”是一种机遇,也是一种拥有的核心能力。我们该如何把握和拥有呢?作为一种换位思考,我们对于常常向往着孟郊的“春风得意马蹄急,一日看尽长安花” 的轻狂和喜悦,却难以体会“小楼昨夜又东风”的李煜伤感情怀。作为这种对比,我们就需要把握今天,把握机会,学会细心保护和精心呵护,不要等手中的“奶酪”变酸、变坏,在无可奈何之中又惊羡别人的拥有。

"who moved my cheese"du hougan

today i read a famous american writer herbert spencer. johnson's book "who moved my cheese", which really benefit from! "who moved my cheese" talk that the two dwarfs, and the story of two mice. this paper mainly around the "cheese" acquisition, possession, lost, different people of different mentality, the resulting very different action strategies. like smelling and rush quickly into action? or like the hum so afraid of change, denial and refusal to change? or like the chirp would like to see changes in things getting better, and be able to promptly adjust themselves to adapt to change? in fact, for any one people, living and learning there are too many changes, change is everywhere in the event of no time, whether we afraid of change to come. if we are able to adjust itself to adapt to change, we can do better. when we are faced with change, we fear, will feel at a loss, which is normal. as long as we can seriously deal with fear of science, it can even help us to avoid the real danger. we do not refuse to change, we can change the attitude of change, in changing the enjoyment of change, embrace change, embrace change. on the other hand, the "cheese" is an acquired through the hard work of superior status. "cheese" is an opportunity and a have core competencies. how do we grasp and possession of it? as a kind of empathy, we often aspire to the meng jiao's "too proud horseshoe anxious every day to see changan flowers" frivolous and joy, but hard to understand "fashion goes in cycles" and li yu sad feelings. as of this comparison, we need to grasp today, take the opportunity to learn to carefully protect and intensive care, do not wait in the hands of the "cheese" change acid, worse, having no alternative among others, the owner of another of envy and amazement.

九年级暑假读后感英语作文:《理智与情感》英语读后感英语读后感(2) | 返回目录

我要向大家推荐一本书《理智与情感》,这本书会让你爱学到很多东西,关于九年级暑假读后感英语作文内容详情如下。

九年级暑假读后感英语作文:《理智与情感》英语读后感

sense and sensibility was the first jane austen published. though she initially called it elinor and marianne, austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. the story revolves around the dashwood sisters, elinor and marianne. whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers austen plenty of scope for both satire and compassion. commenting on edward ferrars, a potential suitor for elinor's hand, marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister.

soon however, marianne meets a man who measures up to her ideal: mr. willoughby, a new neighbor. so swept away by passion is marianne that her behavior begins to border on the scandalous. then willoughby abandons her; meanwhile, elinor's growing affection for edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. how each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. though marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is elinor whom austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure.

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《红与黑》英语读后感英语读后感(3) | 返回目录

The writer writing unfolds, first is entire French society's one typical window -----small city Varriale's political pattern. The aristocrat is born German Switzerland that mayor is restores the dynasty in here highest representative, the maintenance restoration political power, prevents the bourgeoisie free party member is in power in politics regards as the inherent responsibilities. Poor collection post manager Valno the promise originally is the petty bourgeois, as a result of hires oneself the church secret organization saint can obtain the now the fat difference, thus oneself with restoration political power hitch in same place. Transcription hall Father Maslon is the spy which the church sends, all people's words and deeds all under his surveillance, the time which mutually supports in this king place and the sacrificial altar, is person which wields great power with great arrogance. These three people constitute " Three heads Politic ", reflected the restoration influence the aspect which you the city arrogated all powers to oneself in their opposite, is a large number, has the huge economic potentiality aggressive bourgeoisie free party member. Stendhal describes to the people guarantees king party member's be domineering and tyrannical, on the one hand again let the people draw such conclusion: Grasps has the economic potentiality the bourgeoisie, also will decide in politics is the final victor. 《 The Red and the Black 》 the book in circulation revolutionized in July, 1830 before, takes charge of soup reaches unexpectedly picture is understands clearly historical movement this one inevitably tends to.

名著读后感英语作文英语读后感(4) | 返回目录

miss austen never attempts to describe a scene or a class of society with which she was not herself thoroughly acquainted. the conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance occurs of a scene in which men only are present. the uniform quality of her work is one most remarkable point to be observed in it. let a volume be opened at any place: there is the same good english, the same refined style, the same simplicity and truth. there is never any deviation into the unnatural or exaggerated; and how worthy of all love and respect is the finely disciplined genius which rejects the forcible but transient modes of stimulating interest which can so easily be employed when desired, and which knows how to trust to the never-failing principles of human nature! this very trust has sometimes been made an objection to miss austen, and she has been accused of writing dull stories about ordinary people. but her supposed ordinary people are really not such very ordinary people. let anyone who is inclined to criticise on this score endeavor to construct one character from among the ordinary people of his own acquaintance that shall be capable of interesting any reader for ten minutes. it will then be found how great has been the discrimination of miss austen in the selection of her characters, and how skillful is her treatment in the management of them. it is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys and griefs of familiar existence; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to the exclusion of the wonderful, the sentimental, and the historical, is surely large enough, as it certainly admits of the most profitable

cultivation. in the end, too, the novel of daily real life is that of which we are least apt to weary: a round offancy balls would tire the most vigorous admirers of variety in costume, and the return to plain clothes would be hailed with greater delight than their occasional relinquishment ever gives. miss austen's personages are always in plain clothes, but no two suits are alike: all are worn with their appropriate differen as we should expect from such a life, jane austen's view of the world is genial, kindly, and, we repeat, free from anything like cynicism. it is that of a clear-sighted and somewhat satirical onlooker, loving what deserves love, and amusing herself with the foibles, the self-deceptions, the affectations of humanity. refined almost to fastidiousness, she is hard upon vulgarity; not, however, on good-natured vulgarity, such as that of mrs. jennings in "sense and sensibility," but on vulgarity like that of miss steele, in the same novel, combined at once with effrontery and with meanness of soul....

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英语读后感1500字英语读后感(5) | 返回目录

范文一

the writer writing unfolds, first is entire french society's one typical window -----small city varriale's political pattern. the aristocrat is born german switzerland that mayor is restores the dynasty in here highest representative, the maintenance restoration political power, prevents the bourgeoisie free party member is in power in politics regards as the inherent responsibilities. poor collection post manager valno the promise originally is the petty bourgeois, as a result of hires oneself the church secret organization saint can obtain the now the fat difference, thus oneself with restoration political power hitch in same place. transcription hall father maslon is the spy which the church sends, all people's words and deeds all under his surveillance, the time which mutually supports in this king place and the sacrificial altar, is person which wields great power with great arrogance. these three people constitute

" three heads politic ", reflected the restoration influence the aspect which you the city arrogated all powers to oneself in their opposite, is a large number, has the huge economic potentiality aggressive bourgeoisie free party member. stendhal describes to the people guarantees king party member's be domineering and tyrannical, on the one hand again let the people draw such conclusion: grasps has the economic potentiality the bourgeoisie, also will decide in politics is the final victor. 《 the red and the black 》 the book in circulation revolutionized in july, 1830 before, takes charge of soup reaches unexpectedly picture is understands clearly historical movement this one inevitably tends to.

范文二

" les miserables " (1862) is representative works of victor hugo,as one of the most famous novels in the french literature.

the novel basic plot is ran a rang pitiful life history. he originally is one poor family background worker, because the income insufficient family member gets by, by one time stole the bread is arrested is put in prison. passed 19 years firm prison and the bitter service life. the punishment completely after also has the larceny behavior, but benevolent bishop in the rice the sorrowful influence, the transformation is one shed oneself manner person. he uses an alias is madland, works as the entrepreneur, and is pushed for mayor. but soon and further because exposed the status is arrested is put in prison, after escapes rescues the deceased female worker fantin's daughter cosette match from one bastard hand special, went to paris. afterwards again unceasingly encountered police's pursuit. the ran a rang entire life fills is imprisoned the pain which the bitter service and drifts about destitute, this is the novel main clue.

" les miserables " is the work which one realism and the romanticism unifies, the very many chapters glitter the realism glory, such as , in 1832 paris's street barricade war all wrote is quite real. but the romanticism technique quite was also obvious in the plot arrangement, writes the many extraordinary events. if ran a rang lets lie down is lifted in the coffin the monastery, he rescues from the street barricade marilius, all is strange, molds, environment description, symbolic and contrast technique aspect and so on utilization in the character image, also manifests the romanticism the characteristic.

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